Disclaimer: This post will contain some words you may not be familiar with. aka music theory terms. I'll try and keep it somewhat accessible for the general audience, though. I apologize if it's too jargon-y. Jargonistic. Jargonatuan. Jargonasauras Rex. ...what am I doing?!
Where to start...
Okay, my method of writing is fairly consistent; whether or not that's advantageous, I'm not sure. It's probably a disadvantage, actually. I need to learn to be more flexible when it comes to songwriting.
I first start by trying different chord progressions. I've been favoring seventh chords a lot lately just because I get tired of triads. I should practice more jazz or study it at the least to pick up some more exotic chords. I took Jazz Theory in college, but I don't remember anything but rhythm changes and drawing flowers in my comp book. Oops. I am jealous of my boyfriend's songwriting for this reason; he has so many more chords to choose from than I do. I need to expand my vocabulary. I also want to experiment more with range, inversions, and voicing.
I usually just try and work with 2-4 chords to begin with. I aim for an idea in the back of my mind so I know how to structure the song, but sometimes that doesn't always happen. What came first, the chicken or the egg? Instead of creating a dichotomy of major and minor keys, I try and think of dark vs. bright. Admittedly, if I'm going to write a darker song, I'll stick with minor chords or darker chords (with a lot of flats). Happier, uplifting songs (Do I have any happy songs?) will be more major or brighter chords like A Major or god forbid, E Major. (I hate E Major.) This is all just a generalization, though. I don't actively think about these things when I'm writing; this is merely looking back and conceptualizing my method so you can understand it.
I think the timbre of a song is definitely important to think about when
choosing a key. Even for those who don't have perfect pitch, I believe
that it subconsciously makes you feel certain emotions. Maybe not so
much that it's a noticeable difference, but it still makes a difference
in my book. And of course, personal preference will come into play.
Some of you may love the bright timbre of E Major, but I just don't.
So sometimes the chicken comes first and sometimes the egg. Sometimes I start with a lyrical idea and build my progression off of it, sometimes I start with a progression and build a lyrical idea off of it.
Once I have a general idea for a song, I experiment with meters and rhythm. This is actually my favorite part. I'll start in 4/4 and then switch to 3/4 or 6/8...just to see how it affects the overall sound. My latest song, Blue Skies, starts in 5/4 for no other reason than to challenge myself.
Once I agree on this (and usually it changes once or twice before I settle) I start figuring out the structure or form. Most of my songs are on the long side, I've noticed...4-5 minutes long. I've been trying to condense them lately as to not bore the audience, but wow...it's difficult. Some of my songs follow a typical V, C, V, C, B/solo, C, C, form, but others may exclude a bridge...or may have three verses. I can't say I always do that on purpose, but some of the songs are structured in a way to reflect the lyrics.
Lyrics. I tend to write the lyrics during each step of this process. I definitely need to spend more time crafting them and I want to try my next song by writing my lyrics without a musical instrument nearby. Just pen to paper. I figure out the lyrics when I'm writing the song, but I think it can become too hand-in-hand with the music. And don't get me wrong, there should be a relationship between them, but I think my lyrics should be able to stand on their own. And typically they don't. So that's a goal I have for my future songs.
At this point, I usually spend time tweaking things and playing through the song. Then I start recording to hear how it sounds as an outsider and you know the rest from here! (If you missed my post about how I record, check it out here.)
Thanks for reading! xo.
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